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- a collection of the keyboard music of the period 1600 - 1750, offering a fairly representative selection of the forms, styles and composers of that period
- provides both scholarly performing editions and sources of enlightenment on performance conventions
- edited by Dr Richard Jones, a leading Bach scholar recently lauded for his edition of The Well-Tempered Clavier
Contents
- H. Purcell A New Ground, Z. T682
- Chambonnieres Allemande dite l’Affligée
- Poglietti Allemande in D
- Handel Allemande in D minor, from Suite No. 3 in D minor (1720 coll.), HWV 428
- Frescobaldi Aria detto Balletto in C, from ‘Il secondo Libro di Toccate’
- Pachelbel Aria quarta in G minor, from ‘Hexachordum Apollinis’
- Kerll Canzona in D minor
- L Couperin Chaconne in G minor
- Telemann Fugue No. 10 in E minor, from ‘Twenty Little Fugues’, TWV 30
- D’Anglebert Gavotte in G, from ‘Pieces de Clavecin’
- Froberger Lamento in C
- F Couperin Les Moissonneurs, from 6th Ordre, ‘Pieces de Clavecin,’ Book 2
- Rameau Les Tendres Plaintes, from ‘Pieces de Clavecin’
- M. Rossi Partite sopra la Romanesca
- J. C. F. Fischer Prelude and Fugue No. 5 in Eb, from ‘Ariadne Musica’
- J. S. Bach Prelude in G, BWV 902
- Muffat Rigaudon in F, from ‘Componimenti Musicali per il cembalo’
- D’Anglebert Sarabande in G minor, from ‘Pieces de Clavecin’
- D. Scarlatti Sonata in B minor, Kp. 27, L. 449
- Kuhnau Sonata quarta in C mior ‘Hiskia agonizzante e risanto’
- J. S. Bach Suite in Eb, BWV 819: 3rd movement, Sarabande (plain and ornamented versions)
- Pasquini Variationi sopra la Follia
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