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- these elementary pieces are based on an unusual idea: all the white-note modes are used, interspersed with pieces in modes derived for the black notes; and the final piece introduces an element of bitonality, with the left hand on the white notes and right hand on the black. The composer has also incorporated a number of different forms in order to further their instructional value.
Contents
- Canon: No. 7
- Envoi: No. 12
- March: No. 11
- Nocturne: No. 3
- Passacaglia: No. 8
- Pastorale: No. 9
- Prelude: No. 1
- Quick Dance: No. 6
- Sadness: No. 10
- Scherzo: No. 2
- Slow Dance: No. 5
- Threnody: No. 4
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